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Last 7 Days Catalog Additions

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  • Book  (293)
  • Article  (40)
  • 2015-2019  (333)
  • Ausstellung  (333)
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  • 1
    ISBN: 9783941399815
    Language: German
    Pages: 104 Seiten , Illustrationen
    Year of publication: 2018
    Keywords: Künstler ; Ausstellung ; Provenienz: Voolen, Edward van Donator
    Abstract: Frank Auerbach (geb. 1931) und Lucian Freud (1922–2011) zählen zu den bedeutendsten figurativen Künstlern der englischen Nachkriegskunst. Die Graphische Sammlung des Städel Museums versammelte erstmals Hauptwerke der beiden Künstler in einer gemeinsamen Ausstellung. „Frank Auerbach und Lucian Freud. Gesichter“ zeigte insgesamt vierzig Zeichnungen und Druckgrafiken, insbesondere Bildnisse, die zu den kompromisslosesten und innovativsten der zeitgenössischen Kunst gehören. Über nahezu vier Jahrzehnte, bis zum Tod von Lucian Freud, waren die Künstler eng befreundet. Sie verband nicht nur die Wertschätzung für die Kunst des je anderen, sondern auch das Schicksal, in Berlin als Söhne jüdischer Familien geboren worden zu sein. Noch im Kindesalter mussten sie aus dem nationalsozialistischen Deutschland nach England flüchten beziehungsweise emigrieren. Ihre Werke sind Ausdruck eines sehr persönlichen Sehens und Erlebens und entstanden trotz großer formaler und stilistischer Unterschiede nach überraschend gleichen Strategien: Über Wochen, manchmal Jahre hinweg beobachteten und porträtierten Auerbach und Freud beharrlich dieselben Menschen aus ihrer jeweils näheren Umgebung. Wiederholung und Beschränkung sind ihnen Mittel der Konzentration auf der Suche nach Erkenntnis: über das Gegenüber, über sich selbst und über die Welt.
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  • 2
    Article
    Article
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    In:  Die Gleichschaltung der Erinnerung : Kommentare zur Zeit (2019), Seite 338 - 363
    Language: German
    Year of publication: 2019
    Titel der Quelle: Die Gleichschaltung der Erinnerung : Kommentare zur Zeit
    Publ. der Quelle: 2019
    Angaben zur Quelle: (2019), Seite 338 - 363
    Keywords: Ausstellung Jüdische Lebenswelten. Jüdisches Denken und Glauben, Leben und Arbeiten in den Kulturen der Welt (1992 : Berlin) ; Judentum ; Ausstellung ; Interview ; Juden
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  • 3
    Language: English
    Pages: 73 Seiten , Illustrationen
    Year of publication: 2019
    Keywords: Künstler ; Ausstellung
    Abstract: The figures in Roni Taharlev’s paintings are ambiguous, in two respects: the world that they inhabit is undefined, its historical and geographic coordinates are unclear, and in most instances their gender is unclear and subject to interpretation. These ambiguities are deliberate, and also interrelated. This is an attempt to create portraits that lie on the spectrum between femininity and the masculinity, that straddle the midway point between what are conventionally regarded as two poles. These are not portraits of actual characters with a nonconformist gender, but rather form part of a purely artistic inquiry – namely, an attempt to negate or counteract gender traits in a bid to achieve a “zero degree” of gender. What brings us closer to it is youth: the time before the portrait is imbued with a life story, before the subject’s expression is shaped by a social role and the body assumes the trappings of social status. One can point out the combinations of feminine and masculine traits in each and every picture. The difficulty in pinning down the gender of the figures makes us aware of the gender-attribution process that usually occurs automatically and unconsciously, and of our discomfort at failing to do so. Indeed, gender is such a key social category, that gender ambiguity induces a sense of unease, like that of a niggling riddle that requires resolution. In addition, the characters appear to be removed from the here and now, but the few accessories that they are given – a garment, a flower, a butterfly, or a fantasy bird – are not enough to place them in any other definite space. This question of location also extends to the works’ painterly composition. The portraits appear to belong to another era – but which one? Are we in the Renaissance, in the Baroque period, or the nineteenth century? Is it realism, fantasy, or allegory? The only thing that can be said with any certainty is that these figures inhabit not an actual historical context of any kind, but the realm of art. This is especially evident in the Annunciation paintings, depicting the famous scene in the New Testament, in which the Archangel Gabriel announces to the Virgin Mary that she would conceive and become the mother of Jesus. To this artistic topos that includes an encounter between two figures – a young woman and an angel – Taharlev offers an original reinterpretation. In her images, she explores various gender possibilities: in one instance, the angel is a man, in another it is a woman, and in yet another, a girl, and the Virgin Mary is depicted as somewhat androgynous. All that remains of the Annunciation theme is the vaguely charged nature of the situation, which despite the nudity is devoid of any eroticism. There is no doubt that Taharlev is conducting an intensive and multi-faceted dialogue with the history of art, and the preoccupation with the question of gender in her works is not of a psychological or social nature, but rather an inquiry that has more to do with the pictorial qualities of the works and their intra-artistic resonances. After all, white ravens are such rare creatures, that they belong almost exclusively in the realm of art. Text by Amalia Ziv
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  • 4
    ISBN: 9789652784377
    Language: English
    Pages: 86 Seiten , Illustrationen
    Year of publication: 2015
    Series Statement: Israel Museum Catalogue = Katalog 619
    Series Statement: Israel Museum Catalogue
    Keywords: Künstler ; Ausstellung
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  • 5
    ISBN: 9789652784421
    Language: English
    Pages: 67 Seiten , Illustrationen
    Year of publication: 2015
    Series Statement: Israel Museum Catalogue = Katalog 624
    Series Statement: Israel Museum Catalogue
    Keywords: Videokünstler ; Ausstellung
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  • 6
    ISBN: 9783943620320
    Language: English
    Pages: [120] Seiten , Illustrationen
    Year of publication: 2015
    Keywords: Künstlerin ; Ausstellung
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  • 7
    Language: English
    Pages: 65 Seiten, [1] Blatt
    Year of publication: 2016
    Keywords: Israel ; Künstlervereinigung ; Ausstellung ; Kunstausstellung
    Abstract: Pinchas Abramovich, Kosso Eloul, Arie Aroch, Mordechai Arieli, Robert Baser, Yitzhak Danziger, Jacob Wexler, Joseph Zaritsky, Aaron Kahana, Yehiel Krize, Moshe Kupferman, Rafi Lavi, Uri Lifshitz, Avigdor Luisada, Zvi Mairovich, Avraham Naton, Avigdor Stematsky, Yohanan Simon, Yigal Tumarkin, Avshalom Okashi, Dov Feigin, Ruth Zarfati Shterenshus, Chaim Kiewe, Moshe Castel, , Shmuel Raayoni, Yehezkel Streichman, Moshe Sternschuss, Yehiel Shemi, Marcel Janco. Members: 1948 – the group’s founding; 1951-1955 – The first distinct appearance of abstraction (in Zaritsky’s “Yehiam” series); 1956-1958 – The rift within the group and the leaving of Marcel Janco, Aaron Kahana and Yohanan Simon; 1958-1960 – The triumph of abstraction; 1963 – The final exhibition at The Museum of Art, Ein Harod. Other parts of the exhibit will be devoted to late works by members of the group, representing both their evolution as individual artists and the mature stage of their art, and to works on paper – a medium that allowed for a more lyrical and intimate expression. A separate exhibition space will feature current Israeli artists who are searching in their work for local “fathers” and “mothers.” Their works – which include paintings, drawings, sculptures and installation art – are characterized by quotes and gestures of homage, by an interpretive and sometimes critical perspective on the New Horizons artists. By presenting the works side by side, the existence of this cross-generational dialogue in Israeli art can be explored. The present exhibition coincides with the publication of a revised and annotated edition of Professor Gila Balas’ New Horizons: The Birth of Abstraction in Israeli Art, which tells the story of the group, reconstructs its exhibitions, documents its internal disputes and its battles with powerful forces in the Israeli artistic establishment (museums, The Israel Painters and Sculptors Association) and with other artistic approaches and movements of the time.
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  • 8
    Language: English
    Pages: 216 Seiten , Fotografien
    Year of publication: 2018
    Keywords: Israel ; Kunsthandwerk ; Design ; Ausstellung
    Abstract: In celebration of Israel’s 70th anniversary, Mingei International Museum, in collaboration with its neighbor in San Diego’s historic Balboa Park, the 70 year-old House of Israel, mounted a magnificent exhibition of Israeli craft and design. Beautifully laid out and filled with an expansive range of creations in a broad breadth of mediums, the exhibition exemplified the imagination, innovation and resourcefulness of a developing nation. The accompanying book, “Israel: 70 Years of Craft & Design,” beautifully captures the excitement of the museum event, presenting historical data as well as wonderful, page-size black & white and color plates of a sweeping array of craft and design creations: textiles, jewelry, ceramic, religious and ceremonial objects, furniture and clothing, and many more, with excellent accompanying explanatory information, and an outstanding, enlightening introduction by exhibition curator Smadar Samson. The spirit of creation – for Art’s sake, for functionality, for ceremonial/historical use, representing both individuality and unity – is stunningly displayed in the book. The striking cover, a detail from Noa Raviv’s ‘Ensemble from Hard Copy Collection’ (2014), created with 3-D software, hints at the wildly imaginative modernity and ingenuity that sits side by side, as it always has in Israel, with reverence for antiquity. Pat Launer Emmy Award-winning theater critic and arts writer
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  • 9
    ISBN: 9781849765688
    Language: English
    Pages: 192 Seiten , Illustrationen
    Edition: [5. Auflage]
    Year of publication: 2018
    Keywords: Textilkünstlerin ; Ausstellung
    Abstract: This celebration of one of the most influential textile artists of the twentieth century is set to be of interest to anyone interested in modernism, textiles or design, arriving as anticipation builds towards exhibitions of Albers' work at K20 in Dusseldorf this June and Tate Modern this October. As a female student at the radical Bauhaus art school, Albers was discouraged from taking up certain classes. She enrolled in the weaving workshop and made textiles her key form of expression. She inspired and was inspired by her artist contemporaries, among them her teacher, Paul Klee, and her husband, Josef Albers. This beautiful exhibition illuminates the artist’s creative process and her engagement with art, architecture and design. You can discover why Albers has been a profound influence on artists around the world via more than 350 objects from exquisite small-scale ‘pictorial weavings’ to large wall-hangings and the textiles she designed for mass production, as well as her later prints and drawings. At the heart of the exhibition is an exploration of Albers’s seminal publication On Weaving 1965 and the wide source material she gathered together to create the book.
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  • 10
    Language: English
    Pages: 41 Seiten
    Year of publication: 2019
    Keywords: Künstler ; Ausstellung
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