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  • Künstler  (2,335)
  • Jews History
Keywords
  • 1
    Online Resource
    Online Resource
    London : Routledge, Taylor & Francis Group
    ISBN: 9781315280974 , 1315280973 , 9781315280967 , 1315280965 , 9781315280950 , 1315280957 , 9781315280943 , 1315280949
    Language: English
    Pages: 1 Online-Ressource (xvi, 552 Seiten)
    Year of publication: 2024
    Parallel Title: Erscheint auch als
    Keywords: Talmud Iranian influences ; Jews History ; Judaism History Post-exilic period, 586 B.C.-210 A.D ; Judaism History Medieval and early modern period, 425-1789 ; Jews History 70-638 ; Jews History ; Talmud Iranian influences ; Rabbinical literature History and criticism ; Jewish diaspora ; HISTORY / Ancient / General
    Abstract: 1. Introduction: Jews and Judaism in Late Antiquity / Catherine Hezser -- 2. From Roman Palestine to a Christian Holy Land / Hagith S. Sivan -- 3. Changes in the Infrastructure and Population of Byzantine Palestine / Claudine Dauphin -- 4. Jews, Judaism and the Christianization of the Roman Empire / Seth Schwartz -- 5. Jews and the Imperial Cult / Holger Zellentin -- 6. Jews and the Emergence of Christianity / Maren R. Niehoff -- 7. Synagogues and Churches as the Centers of Local Communities / Alexei Sivertsev -- 8. The Rabbinic Representation of Jesus and his Followers / Thierry Murcia -- 9. The Church Fathers on Jews and Judaism / Burton L. Visotzky -- 11. Rabbis and the Image of the Intellectual / Catherine Hezser -- 12. Rabbis and Jurists in the Roman East / Yair Furstenberg -- 13. Personal Representations of the Holy / Michael L. Satlow -- 14. Attitudes Toward the Body / Catherine Hezser -- 15. Travel Narratives and the Construction of Identity / Joshua Levinson -- 16. From Oral Discourse to Written Documents / Reuven Kiperwasser -- 17. Antiquarianism, Scholasticism, and Rabbinic Anthologies / Catherine Hezser -- 18. Rabbinic Literature and Roman-Byzantine Legal Compilations / Marton Ribary -- 19. Rabbinic and Patristic Interpretations of the Bible / Carol Bakhos -- 20. Jewish Letter Writing in Late Antiquity / Lutz Doering -- 21. Visuality in Rabbinic Judaism / Karen B. Stern -- 22. The Appearance of Jewish Figural Art / Lee I. Levine -- 23. Synagogue Architecture, Decoration, and Furnishings / Zeev Weiss -- 24. A Shared Visual Language / Rachel Hachlili -- 25. The Liturgical Performance of Identity / Ophir Münz-Manor -- 26. Jewish and Persian Leadership Structures / Geoffrey Herman -- 27. Babylonian Jewish Communities / Simcha Gross -- 28. Babylonian Judaism and Zoroastrianism / Shai Secunda -- 29. Representations of Persia in the Babylonian Talmud / Jason Zion Mokhtarian -- 30. Jews in Late Antique Rome / Samuele Rocca -- 31. Jews in Late Antique Egypt / Rodrigo Laham Cohen -- 32. Jews in Late Antique Syria and Arabia / Maurice Sartre -- 33. Jews in Asia Minor / Paul Trebilco -- 34. Jewish Communities in North Africa / Stéphanie É. Binder and Thomas Ville.
    Abstract: This volume focuses on the major issues and debates in the study of Jews and Judaism in late antiquity (3rd to 7th c. C.E.), providing cutting-edge surveys of the state of scholarship, main topics and research questions, methodological approaches, and avenues for future research. Based on both Jewish and non-Jewish, literary and material sources, this volume takes an interdisciplinary approach involving historians of ancient Judaism, scholars of rabbinic literature, archaeologists, epigraphers, art historians, and Byzantinists. Developments within Jewish society and culture are viewed within the respective regional, political, cultural, and socio-economic contexts in which they took place. Special focus is given to the impact of the Christianization of the Roman Empire on Jews, from administrative, legal, social, and cultural points of view. The contributors examine how the confrontation with Christianity changed Jewish practices, perceptions and organizational structures, such as, for example, the emergence of local Jewish communities around synagogues as central religious spaces. Special chapters are devoted to the eastern and western Jewish Diaspora in Late Antiquity, especially Sasanian Persia but also Roman Italy, Egypt, Syria and Arabia, North Africa, and Asia Minor, to provide a comprehensive assessment of the situation and life experiences of Jews and Judaism during this period. The Routledge Handbook of Jews and Judaism in Late Antiquity is a critical and methodologically sophisticated survey of current scholarship aimed primarily at students and scholars of Jewish Studies, Study of Religions, Patristics, Classics, Roman and Byzantine Studies, Iranology, History of Art and Archaeology. It is a valuable resource for anyone interested in Judaism and Jewish history--
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  • 2
    Book
    Book
    Wiesbaden : Akad. Verl.-Ges. Athenaion
    ISBN: 3799707077
    Language: German
    Pages: 187 S , Ill
    Year of publication: 1979
    Series Statement: Handbuch der Kulturgeschichte / begr. von Heinz Kindermann. Neu hrsg. von Eugen Thurnher Teil 2
    Series Statement: Abt. 2, Kulturen der Völker
    Series Statement: [2], Die Kultur der Juden
    Series Statement: Handbuch der Kulturgeschichte Kulturen der Völker
    Series Statement: Die Kultur der Juden ; Teil 2
    DDC: 909.0492400902
    RVK:
    Keywords: Jews History ; 70-1789 ; Judaism History ; Medieval and early modern period, 425-1789 ; Church history Middle Ages, 600-1500 ; Judaism Relations ; Christianity ; Christianity and other religions Judaism ; Juden ; Kultur
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  • 3
    Online Resource
    Online Resource
    Berlin : Duncker & Humblot
    Language: German
    Pages: 137 Seiten
    Edition: Online-Ausgabe Hamburg Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky [2020] 1 Online-Ressource
    Year of publication: 1952
    Series Statement: Veröffentlichung der Freien Universität Berlin
    Parallel Title: Elektronische Reproduktion von Köhler, Hans, 1911 - 1986 Die Wirkung des Judentums auf das abendländische Geistesleben
    RVK:
    RVK:
    Keywords: Jews History ; Judaism ; Judentum ; Juden ; Kultur
    Note: Literaturverz. S. [134]-137 , Wahrnehmung der Rechte durch die VG Wort (§ 51 VGG) , Institut für die Geschichte der deutschen Juden – Bibliothek
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  • 4
    ISBN: 9780253349613
    Language: English
    Pages: XL, 446 S. , Ill., Kt.
    Year of publication: 2008
    Uniform Title: Neizvestnaja černaja kniga
    DDC: 940.53/180947
    RVK:
    Keywords: Geschichte 1941-1944 ; Holocaust ; Tweede Wereldoorlog ; Geschichte ; Juden ; Judenvernichtung ; Weltkrieg (1939-1945) ; Holocaust, Jewish (1939-1945) ; Jews Persecutions ; Jews History ; Judenvernichtung ; Sovjet-Unie ; Sowjetunion ; Soviet Union Ethnic relations ; Soviet Union History German occupation, 1941-1944 ; Sowjetunion ; Erlebnisbericht ; Sowjetunion ; Judenvernichtung ; Geschichte 1941-1944
    Note: "Published in association with the United States Holocaust Memorial Museum." - Aus dem Russ. übers. , Includes bibliographical references and index
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  • 5
    ISBN: 9783863315917 , 386331591X
    Language: German
    Pages: 194 Seiten , 200 Illustrationen , 24 cm x 17 cm
    Edition: 1. Auflage
    Year of publication: 2021
    Series Statement: Schriftenreihe der Stiftung Brandenburgische Gedenkstätten 63
    Series Statement: Schriftenreihe der Stiftung Brandenburgische Gedenkstätten
    Keywords: Ripper, Rudolf Charles von ; Budding, Jan ; Edel, Peter ; Grundig, Hans ; Haas, Leo ; Matĕjka, Vladimír ; Simiński, Wiktor ; Zahrádka, Karel ; Konzentrationslager Sachsenhausen ; Künstler ; Ausstellung
    Abstract: Gemälde, Grafiken und Zeichnungen von acht Künstlern aus Deutschland, den Niederlanden, Österreich, der Tschechischen Republik und Polen, die im KZ Oranienburg oder im KZ Sachsenhausen inhaftiert waren, stehen im Mittelpunkt der Ausstellung „Écraser l’infâme!“. Gezeigt werden nicht nur Bilder aus der Lagerzeit, sondern auch Arbeiten, die davor und danach entstanden sind. Bis vor wenigen Jahren wurde die Kunst aus den Konzentrationslagern ausschließlich als historische Quelle ohne künstlerischen Wert betrachtet, heute kann der Künstlern aus dem Schatten des Häftlings heraustreten. Die Ausstellung fragt nach Auswirkungen der Erfahrung der Konzentrationslagerhaft auf den Menschen und seine Kunst. Der Katalog enthält farbige Abbildungen aller gezeigten Kunstwerke und erzählt die Lebensgeschichten der Künstler Jan Budding, Peter Edel, Hans Grundig, Leo Haas, Vladimír Matêjka, Rudolf Carl Ripper, Viktor Siminski, und Karel Zahrádka.
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  • 6
    Language: Hebrew
    Pages: 191 Seiten, [2] Blatt , Illustrationen
    Year of publication: 2021
    Series Statement: [Tel Aviv Museum of Art] Catalogue = Katalog / Muze'on Tel Aviv la-Omanut 2/2021
    Series Statement: Catalogue
    Keywords: Künstler ; Ausstellung
    Abstract: Recipient of the Rappaport Prize for an Established Israeli Artist, 2019 The exhibition spans five decades of artistic practice, from 1973 to 2020, but it is centered on the verso paintings created by David Ginton in the past twenty years. These works push the linguistic preoccupation in Ginton's oeuvre to the limit, a process which has been rooted from the very outset in 1960s and 1970s European and American conceptual art. The engagement with language was already at the core of Ginton's work in the early 1970s. It was manifested, for example, in photographs documenting physical acts, illustrating Hebrew idioms, such as Burying One's Head in the Sand, Burning Oneself in Scalding Water, and Jumping into Stormy Waters. These works embodied the absurd violence sparked in the encounter between language and image — violence which was later enhanced in political contexts: In 1973, Ginton inquired how to make Art in a Time of War; he subsequently exhibited bullet-pierced art books and photographs of buildings at the Hebrew University of Jerusalem; and in the 1990s he inserted a bullet in a series of paintings depicting the Israeli flag, thereby indicating the complexity of making art in light of the Israeli political reality following the 1967 war. Two key works were made before Ginton's return to Israel from a sojourn abroad, with the outbreak of the 1973 (Yom Kippur) war: one features him kneeling before the door of Joseph Beuys's Düsseldorf house (In Front of Beuys’s House), and the other—standing in the shadow of a replica of Michelangelo's sculpture David in Florence (David and I). These photographic works preceded another recurrent avenue, touching on art-making in the periphery, which continued in the early 1990s with the flag works, which a "local adaptation" of seminal modernist works by Jasper Johns, Lucio Fontana, and others, using quotes and appropriation. This practice was further elaborated in the 2000s with ironic titles, such as The English Painter, given to a group of paintings that quote and distort texts from the back covers of books. Since 1994, the key motif in Ginton's oeuvre has been the "back" of the painting, initially in photographs of the reverse side of paintings from the collection of Tel Aviv Museum of Art, and later, in the 2000s, in verso paintings alluding to the trompe l'oeil tradition in Western painting. These paintings depict the (alleged) backs of fictitious paintings, bearing the paintings' titles alongside texts—excerpts from theoretical essays and books about art, biblical verses, Midrashim, as well as invented texts. In presenting the text appearing on what seems to be the back side of a painting, Ginton brings the literal-conceptual aspect underlying his work to the fore. The painting's reversal is interpreted in these paintings in terms of revealment and concealment, questioning the work's elusive existence and its ability to reveal itself to the viewer, while concurrently hinting at theological aspects associated with seeing the face of God and with death. Through the title of the exhibition — "The Name of the Painting" — Ginton points out the unique status of the title in his verso paintings: "The name precedes the painting," he explains. "The paintings are spawned by their names. Once a name comes up that is worthy of a new painting, the painting has already been conceived to a large extent, and it only remains to realize it in paint: a painting depicting the back of a painting. A painting is born from words, as it were."
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  • 7
    Language: English
    Pages: 73 Seiten , Illustrationen
    Year of publication: 2019
    Keywords: Künstler ; Ausstellung
    Abstract: The figures in Roni Taharlev’s paintings are ambiguous, in two respects: the world that they inhabit is undefined, its historical and geographic coordinates are unclear, and in most instances their gender is unclear and subject to interpretation. These ambiguities are deliberate, and also interrelated. This is an attempt to create portraits that lie on the spectrum between femininity and the masculinity, that straddle the midway point between what are conventionally regarded as two poles. These are not portraits of actual characters with a nonconformist gender, but rather form part of a purely artistic inquiry – namely, an attempt to negate or counteract gender traits in a bid to achieve a “zero degree” of gender. What brings us closer to it is youth: the time before the portrait is imbued with a life story, before the subject’s expression is shaped by a social role and the body assumes the trappings of social status. One can point out the combinations of feminine and masculine traits in each and every picture. The difficulty in pinning down the gender of the figures makes us aware of the gender-attribution process that usually occurs automatically and unconsciously, and of our discomfort at failing to do so. Indeed, gender is such a key social category, that gender ambiguity induces a sense of unease, like that of a niggling riddle that requires resolution. In addition, the characters appear to be removed from the here and now, but the few accessories that they are given – a garment, a flower, a butterfly, or a fantasy bird – are not enough to place them in any other definite space. This question of location also extends to the works’ painterly composition. The portraits appear to belong to another era – but which one? Are we in the Renaissance, in the Baroque period, or the nineteenth century? Is it realism, fantasy, or allegory? The only thing that can be said with any certainty is that these figures inhabit not an actual historical context of any kind, but the realm of art. This is especially evident in the Annunciation paintings, depicting the famous scene in the New Testament, in which the Archangel Gabriel announces to the Virgin Mary that she would conceive and become the mother of Jesus. To this artistic topos that includes an encounter between two figures – a young woman and an angel – Taharlev offers an original reinterpretation. In her images, she explores various gender possibilities: in one instance, the angel is a man, in another it is a woman, and in yet another, a girl, and the Virgin Mary is depicted as somewhat androgynous. All that remains of the Annunciation theme is the vaguely charged nature of the situation, which despite the nudity is devoid of any eroticism. There is no doubt that Taharlev is conducting an intensive and multi-faceted dialogue with the history of art, and the preoccupation with the question of gender in her works is not of a psychological or social nature, but rather an inquiry that has more to do with the pictorial qualities of the works and their intra-artistic resonances. After all, white ravens are such rare creatures, that they belong almost exclusively in the realm of art. Text by Amalia Ziv
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  • 8
    Book
    Book
    New York : Harry N. Abrams Inc., Publishers
    Language: English
    Pages: 135 Seiten , Illustrationen
    Year of publication: 1998
    Keywords: Künstler ; Ausstellung ; Provenienz: Voolen, Edward van Donator
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  • 9
    ISBN: 9783735604644 , 3735604641
    Language: German
    Pages: 255 Seiten , Illustrationen , 33 cm
    Year of publication: 2018
    Series Statement: Kerber art
    Series Statement: Kerber art
    Keywords: Künstler ; Ausstellung
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  • 10
    Language: English
    Pages: 201 Seiten , Illustrationen
    Year of publication: 2020
    Keywords: Künstler ; Ausstellung
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