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  • English  (1,739)
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  • 1
    ISBN: 9781433192968 , 1433192969 , 9781433192975
    Language: English
    Pages: viii, 222 Seiten , 23 cm, 409 g
    Year of publication: 2023
    Series Statement: Studies in composition and rhetoric vol. 20
    Series Statement: Studies in composition and rhetoric
    Parallel Title: Erscheint auch als Grayson, Mara Lee Antisemitism and the White Supremacist Imaginary
    Parallel Title: Erscheint auch als Grayson, Mara Lee Antisemitism and the White Supremacist Imaginary
    DDC: 808.042071173
    Keywords: English language Rhetoric ; Study and teaching (Higher) ; Jewish women college teachers ; White supremacy movements ; Jews Identity ; Antisemitism Study and teaching ; Discrimination in higher education ; Anti-racism Study and teaching (Higher) ; Amerikanisches Englisch ; Rhetorik ; Sprachgebrauch ; Antisemitismus ; USA ; Hochschulunterricht ; USA ; Hochschule ; White supremacy ; Rhetorik ; Antijudaismus
    Abstract: "In Antisemitism and the White Supremacist Imaginary: Conflations and Contradictions in Composition and Rhetoric, Mara Lee Grayson calls attention to the complicity of academic institutions and the discipline(s) of rhetoric, composition, and writing studies in the simultaneous perpetuation and denial of anti-Jewish racism. Despite the persistence of antisemitism and Christian hegemony in the United States and its academic institutions, and despite a growing body of antiracist and anti-oppressive scholarship, antisemitism remains largely unaddressed in disciplinary scholarship, curricula, and pedagogy. This book seeks to (begin to) fill that gap by exploring how the rhetoric through which Jewish identity is conceptualized and weaponized by the white supremacist imaginary essentializes Jewish identities and obscures the racist aims and character of antisemitism. Through rhetorical analysis, historical context, and personal narrative, and drawing upon original phenomenological research, Grayson highlights how deeply embedded antisemitic ideologies impact the lived experiences of Jewish teachers, students, and scholars, and perpetuate white supremacy. This book addresses concerns both experiential and rhetorical, illuminates the rhetorical, historical, political, and racial dynamics of antisemitism, and exposes the limitations of existing discourses of whiteness and (anti)racism. This book gestures toward a future in which, through a more nuanced and productive discourse, we can better support Jewish educators and students and engage Jewish members of the discipline as better accomplices in antiracism"--
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    URL: Inhaltstext  (lizenzpflichtig)
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  • 2
    Book
    Book
    New York : Nextbook/Schocken
    ISBN: 0805242503 , 9780805242508
    Language: English
    Pages: 249 Seiten , 20 cm
    Edition: 1st ed
    Year of publication: 2009
    Series Statement: Jewish encounters
    DDC: 782.42164089/924073
    Keywords: Popular music History and criticism ; Popular music Jewish influences ; Jewish composers ; Jewish lyricists ; USA ; Popmusik ; Juden ; Geschichte 1863-1965 ; USA ; Jazz ; Juden ; Geschichte 1863-1965
    Abstract: A look at the formation of the American songbook-the timeless numbers that became jazz standards, iconic love songs, and sound tracks to famous movies-and explores the extraordinary fact that this songbook was written almost exclusively by Jews. -- Dust jacket
    Description / Table of Contents: Apologia : little white lies -- Prelude : Jewish genius -- My romance -- Tales of the uncles, part I -- Tales of the uncles, part II -- Last night when we were young -- I didn't know what time it was -- The world on a string -- A right to sing the blues -- Some other time.
    Note: Includes bibliographical references (p. [235]-249)
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  • 3
    ISBN: 0814321860
    Language: English
    Year of publication: 1989-
    RVK:
    RVK:
    Keywords: USA ; Juden ; Geschichte 1776-1985
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  • 4
    ISBN: 9780807036495 , 0807036498 , 080703648X
    Language: English
    Pages: xiii, 300 Seiten , Illustrationen
    Year of publication: 1998
    DDC: 296.6/1/082
    Keywords: Ordination of women Judaism ; History ; Women rabbis History ; Women in Judaism ; Ordination of women Judaism ; History ; Women rabbis United States ; History ; Women in Judaism ; n-us ; Women in Judaism ; Women rabbis ; United States ; History ; Ordination of women ; Judaism ; History ; Women rabbis ; United States ; History ; Women in Judaism ; Geschichte ; USA ; Judentum ; Frau ; Ordination ; Rabbinerin ; Geschichte 1889-1985 ; Judentum ; Frau ; Ordination ; Geschichte 1889-1985 ; Judentum ; Rabbinerin ; Geschichte 1889-1985
    Note: Hier auch andere unveränderte Nachdrucke
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  • 5
    Language: English
    Pages: 73 Seiten , Illustrationen
    Year of publication: 2019
    Keywords: Künstler ; Ausstellung
    Abstract: The figures in Roni Taharlev’s paintings are ambiguous, in two respects: the world that they inhabit is undefined, its historical and geographic coordinates are unclear, and in most instances their gender is unclear and subject to interpretation. These ambiguities are deliberate, and also interrelated. This is an attempt to create portraits that lie on the spectrum between femininity and the masculinity, that straddle the midway point between what are conventionally regarded as two poles. These are not portraits of actual characters with a nonconformist gender, but rather form part of a purely artistic inquiry – namely, an attempt to negate or counteract gender traits in a bid to achieve a “zero degree” of gender. What brings us closer to it is youth: the time before the portrait is imbued with a life story, before the subject’s expression is shaped by a social role and the body assumes the trappings of social status. One can point out the combinations of feminine and masculine traits in each and every picture. The difficulty in pinning down the gender of the figures makes us aware of the gender-attribution process that usually occurs automatically and unconsciously, and of our discomfort at failing to do so. Indeed, gender is such a key social category, that gender ambiguity induces a sense of unease, like that of a niggling riddle that requires resolution. In addition, the characters appear to be removed from the here and now, but the few accessories that they are given – a garment, a flower, a butterfly, or a fantasy bird – are not enough to place them in any other definite space. This question of location also extends to the works’ painterly composition. The portraits appear to belong to another era – but which one? Are we in the Renaissance, in the Baroque period, or the nineteenth century? Is it realism, fantasy, or allegory? The only thing that can be said with any certainty is that these figures inhabit not an actual historical context of any kind, but the realm of art. This is especially evident in the Annunciation paintings, depicting the famous scene in the New Testament, in which the Archangel Gabriel announces to the Virgin Mary that she would conceive and become the mother of Jesus. To this artistic topos that includes an encounter between two figures – a young woman and an angel – Taharlev offers an original reinterpretation. In her images, she explores various gender possibilities: in one instance, the angel is a man, in another it is a woman, and in yet another, a girl, and the Virgin Mary is depicted as somewhat androgynous. All that remains of the Annunciation theme is the vaguely charged nature of the situation, which despite the nudity is devoid of any eroticism. There is no doubt that Taharlev is conducting an intensive and multi-faceted dialogue with the history of art, and the preoccupation with the question of gender in her works is not of a psychological or social nature, but rather an inquiry that has more to do with the pictorial qualities of the works and their intra-artistic resonances. After all, white ravens are such rare creatures, that they belong almost exclusively in the realm of art. Text by Amalia Ziv
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  • 6
    ISBN: 9783777438467 , 3777438464
    Language: English
    Pages: 252 Seiten , 150 Abbildungen in Farbe , 27.7 cm x 21.5 cm
    Edition: [1. Auflage]
    Year of publication: 2022
    Keywords: Künstlerin ; Ausstellung
    Abstract: Friedl Dicker-Brandeis (1898–1944) zählt zu den bedeutendsten Schülerinnen des Weimarer Bauhauses. Das künstlerische Multitalent spezialisierte sich zunächst auf textile und grafische Gestaltung, später arbeitete sie als Designerin und Innenarchitektin. Ihre Gemälde spiegeln die tiefgehende Auseinandersetzung mit der klassischen Avantgarde wider. Detailliert zeichnet der Band das vielseitige kreative Schaffen einer politisch verfolgten Künstlerin nach.Friedl Dicker-Brandeis, geboren als Jüdin in Wien, war Malerin, Kunstpädagogin und kommunistisch aktive Plakatkünstlerin. Der reich bebilderte Band verortet ihr Werk in der Klassischen Moderne und zeigt, wie vielseitig die unter dem nationalsozialistischen Regime verfolgte Künstlerin arbeitete. Bis zu ihrer Ermordung im Ghetto Theresienstadt setzte sie sich unermüdlich dafür ein, Kinder zum Zeichnen zu animieren. Die einzelnen Textbeiträge beschreiben die besonderen Charakteristika ihrer künstlerischen Arbeit sowie der von ihr begründeten Kunsttherapie.
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  • 7
    Book
    Book
    New York : Harry N. Abrams Inc., Publishers
    Language: English
    Pages: 135 Seiten , Illustrationen
    Year of publication: 1998
    Keywords: Künstler ; Ausstellung ; Provenienz: Voolen, Edward van Donator
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  • 8
    Language: English
    Pages: 201 Seiten , Illustrationen
    Year of publication: 2020
    Keywords: Künstler ; Ausstellung
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  • 9
    Language: English
    Pages: 24 Seiten , Illustrationen
    Additional Material: [2] Blatt: List of important exhibits from the Holy Land
    Year of publication: 1954
    Series Statement: Craftsman and designer 5
    Series Statement: Craftsman and designer
    Keywords: Stickerei ; Ausstellung
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  • 10
    Language: English
    Pages: 84 Seiten , Illustrationen
    Year of publication: 2019
    Keywords: Installation ; Ausstellung
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