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Last 7 Days Catalog Additions

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  • English  (744)
  • Russian  (17)
  • Künstler  (711)
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  • 1
    Book
    Book
    Ierusalim : Nacional'nyj Institut Pamjati Žertv Nacisma i Geroev Soprotivlenija Jad Va-Šem | Moskva : Gosudarstvennyj archiv Rossijskoj Federacii | Moskva : Izdatelʹstvo "Tekst"
    Title: Неизвестная черная книга Национальный Институт Памяти жертв нацизма и героев Сопротивления ЯД ВА-ШЕМ ; Государственный архив Российской Федерации
    Author, Corporation: Арад, Ицхак
    Author, Corporation: Павлова, Т.
    Author, Corporation: Альтман, И.
    Author, Corporation: Национальный Институт Памяти жертв нацизма и героев Сопротивления ЯД ВА-ШЕМ
    Author, Corporation: Государственный архив Российской Федерации
    Publisher: Иерусалим : Национальный Институт Памяти жертв нацизма и героев Сопротивления ЯД ВА-ШЕМ
    Publisher: Москва : Государственный архив Российской Федерации
    Publisher: Москва : Издательство "Текст"
    Language: Russian
    Pages: 462 Seiten
    Year of publication: 1993
    Former Title: Fortsetzung von Černaja kniga
    RVK:
    RVK:
    Keywords: Geschichte 1939-1945 ; Holocaust, Jewish (1939-1945) / Soviet Union / Sources ; World War, 1939-1945 / Personal narratives, Jewish ; Jews / Persecutions / Soviet Union / History / Sources ; Holocauste, 1939-1945 / URSS / Sources ; Guerre mondiale, 1939-1945 / Récits personnels juifs ; Juifs / Persécutions / URSS / Histoire / Sources ; Jews / Persecutions ; Judenvernichtung ; Juden ; Soviet Union / History / German occupation, 1941-1944 / Sources ; URSS / Histoire / 1941-1944 (Occupation allemande) / Sources ; Soviet Union ; Sowjetunion ; Erlebnisbericht ; Sowjetunion ; Juden ; Geschichte 1939-1945 ; Sowjetunion ; Judenvernichtung
    Note: Ssvidetelʹstva očevidcev o katastrofe sovetskich evreev (1941-1944) (Impressum). - Red. kollegija: I. Arad (otvetstvennyj redaktor), T. Pavlova (otvetstvennyj redaktor), I. Alʹtman (sostavitelʹ) ... (Impressum). - " ... sbornik "Neizvestnaja Černaja kniga. Svidetelʹstva očevidcev o Katastrofe sovetskich evreev (1941-1944) javljaetsja prodolzeniem izdanija "Černaja kniga" ... vpervye vyšedšego na russkom jazyke v Izraile v 1980 g." (Seite 29) , Text russisch
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  • 2
    Book
    Book
    New Haven [u.a.] : Yale University Press
    ISBN: 0300104529
    Language: English
    Pages: IX, 435 S.
    Edition: abridged ed.
    Year of publication: 2005
    Series Statement: Annals of Communism series
    Uniform Title: Nepravednyj sud
    DDC: 345.470231
    RVK:
    Keywords: Jüdisches Antifaschistisches Komitee ; Geschichte 1948-1956 ; Geschichte 1952 ; Quelle ; Prozess ; Judenverfolgung ; Sowjetunion ; Sowjetunion ; Judenverfolgung ; Geschichte 1948-1956 ; Quelle ; Jüdisches Antifaschistisches Komitee ; Prozess ; Geschichte 1952 ; Quelle
    Note: Includes bibliographical references and index
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  • 3
    ISBN: 9780253349613
    Language: English
    Pages: XL, 446 S. , Ill., Kt.
    Year of publication: 2008
    Uniform Title: Neizvestnaja černaja kniga
    DDC: 940.53/180947
    RVK:
    Keywords: Geschichte 1941-1944 ; Holocaust ; Tweede Wereldoorlog ; Geschichte ; Juden ; Judenvernichtung ; Weltkrieg (1939-1945) ; Holocaust, Jewish (1939-1945) ; Jews Persecutions ; Jews History ; Judenvernichtung ; Sovjet-Unie ; Sowjetunion ; Soviet Union Ethnic relations ; Soviet Union History German occupation, 1941-1944 ; Sowjetunion ; Erlebnisbericht ; Sowjetunion ; Judenvernichtung ; Geschichte 1941-1944
    Note: "Published in association with the United States Holocaust Memorial Museum." - Aus dem Russ. übers. , Includes bibliographical references and index
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  • 4
    Language: English
    Pages: 73 Seiten , Illustrationen
    Year of publication: 2019
    Keywords: Künstler ; Ausstellung
    Abstract: The figures in Roni Taharlev’s paintings are ambiguous, in two respects: the world that they inhabit is undefined, its historical and geographic coordinates are unclear, and in most instances their gender is unclear and subject to interpretation. These ambiguities are deliberate, and also interrelated. This is an attempt to create portraits that lie on the spectrum between femininity and the masculinity, that straddle the midway point between what are conventionally regarded as two poles. These are not portraits of actual characters with a nonconformist gender, but rather form part of a purely artistic inquiry – namely, an attempt to negate or counteract gender traits in a bid to achieve a “zero degree” of gender. What brings us closer to it is youth: the time before the portrait is imbued with a life story, before the subject’s expression is shaped by a social role and the body assumes the trappings of social status. One can point out the combinations of feminine and masculine traits in each and every picture. The difficulty in pinning down the gender of the figures makes us aware of the gender-attribution process that usually occurs automatically and unconsciously, and of our discomfort at failing to do so. Indeed, gender is such a key social category, that gender ambiguity induces a sense of unease, like that of a niggling riddle that requires resolution. In addition, the characters appear to be removed from the here and now, but the few accessories that they are given – a garment, a flower, a butterfly, or a fantasy bird – are not enough to place them in any other definite space. This question of location also extends to the works’ painterly composition. The portraits appear to belong to another era – but which one? Are we in the Renaissance, in the Baroque period, or the nineteenth century? Is it realism, fantasy, or allegory? The only thing that can be said with any certainty is that these figures inhabit not an actual historical context of any kind, but the realm of art. This is especially evident in the Annunciation paintings, depicting the famous scene in the New Testament, in which the Archangel Gabriel announces to the Virgin Mary that she would conceive and become the mother of Jesus. To this artistic topos that includes an encounter between two figures – a young woman and an angel – Taharlev offers an original reinterpretation. In her images, she explores various gender possibilities: in one instance, the angel is a man, in another it is a woman, and in yet another, a girl, and the Virgin Mary is depicted as somewhat androgynous. All that remains of the Annunciation theme is the vaguely charged nature of the situation, which despite the nudity is devoid of any eroticism. There is no doubt that Taharlev is conducting an intensive and multi-faceted dialogue with the history of art, and the preoccupation with the question of gender in her works is not of a psychological or social nature, but rather an inquiry that has more to do with the pictorial qualities of the works and their intra-artistic resonances. After all, white ravens are such rare creatures, that they belong almost exclusively in the realm of art. Text by Amalia Ziv
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  • 5
    Book
    Book
    New York : Harry N. Abrams Inc., Publishers
    Language: English
    Pages: 135 Seiten , Illustrationen
    Year of publication: 1998
    Keywords: Künstler ; Ausstellung ; Provenienz: Voolen, Edward van Donator
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  • 6
    Language: English
    Pages: 201 Seiten , Illustrationen
    Year of publication: 2020
    Keywords: Künstler ; Ausstellung
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  • 7
    ISBN: 9789652784377
    Language: English
    Pages: 86 Seiten , Illustrationen
    Year of publication: 2015
    Series Statement: Israel Museum Catalogue = Katalog 619
    Series Statement: Israel Museum Catalogue
    Keywords: Künstler ; Ausstellung
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  • 8
    Book
    Book
    Ostfildern : Hatje Cantz Verlag
    ISBN: 9783775716505 , 3775716505 , 9783901107474 , 3901107479
    Language: English
    Pages: 311 Seiten , Illustrationen , 25 cm
    Year of publication: 2005
    Keywords: Künstler ; Aktionskünstler ; Ausstellung ; Provenienz: Voolen, Edward van Donator
    Abstract: This monograph is the first to provide a comprehensive overview of Metzger's career, also taking into account more recent works such as his series Historic Photographs, which are closely linked to Metzger's experience as a survivor of the Holocaust. A detailed chronology presents the artist's activity in the context of historical and political developments, honoring Metzger for the first time not just as an artist, but also as an activist.
    Note: Bibliografie Gustav Metzger und Literaturverzeichnis: Seite 287 - 303 , Ausstellungskatalog; Ausstellung, Wien, 11.5. bis 28.8.2005
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  • 9
    Book
    Book
    Tel-Aviv ; Jaffa : Neve Schechter
    Language: English
    Pages: 38 Seiten , Illustrationen
    Year of publication: 2017
    Keywords: Künstler ; Ausstellung
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  • 10
    ISBN: 0876331568 , 0876331576 , 0300094299
    Language: English
    Pages: 351 Seiten , Illustrationen
    Year of publication: 2002
    Keywords: Künstler ; Ausstellung ; Provenienz: Voolen, Edward van Donator
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