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Last 7 Days Catalog Additions

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  • English  (176)
  • Portuguese  (1)
  • Fotografie  (177)
  • Amapá (Brazil : State)
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  • 1
    Book
    Book
    San Francisco : Selbstverlag
    Language: English
    Pages: 10 Seiten , überw. ill.
    Additional Material: Fotografien von Nina Glaser (Fotokopien) [20] Bl., Einladungskarte [1] Bl.
    Year of publication: 1995
    Keywords: Künstlerin ; Fotografie
    Note: nummeriertes Exemplar, Nummer 382 von 1.500 , Zusammengeheftete Kopien von Fotos der Künstlerin
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  • 2
    Book
    Book
    Jerusalem : Ariel Publishing House
    Language: English
    Pages: 252 Seiten , Fotografien
    Edition: 2. Auflage
    Year of publication: 1980
    Keywords: Palästina ; Fotografie ; Jerusalem
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  • 3
    Book
    Book
    London : Photo Publishing Company
    Language: English
    Pages: 174 Seiten , Illustrationen
    Year of publication: 1988
    Keywords: Israel ; Fotografie
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  • 4
    Language: English
    Pages: [4] Blatt
    Additional Material: [2] Bl. "Critique of Basil C. Frank's work"; "addition to the CV"
    Year of publication: 1999
    Keywords: Künstler ; Fotografie ; Installation ; Kunstpreis
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  • 5
    Book
    Book
    Trolley Books
    ISBN: 0954264851
    Language: English
    Pages: [60] Blatt , Fotografien
    Edition: 1. Auflage
    Year of publication: 2003
    Keywords: Fotografie ; Taliban
    Abstract: Zealotry has many forms of madness, and the Taliban are no exception. In the Toyota Land Cruiser abandoned in Kandahar by Mullah Omar, the man who banned music on pain of prison and torture, was found a cache of popular music CDs. Kandahar, a city of Pashtuns noted for their gaiety, so to speak, where Mullah Omar had made his final headquarters, has traditions of men in high-heeled sandals, with make-up of kohl and painted nails like sultry silent-movie stars. They liked to have their pictures taken and, because the Taliban most certainly needed passports, their vanities were accomodated in the hole-in-the-wall photo shops that exist in downtown Kandahar. The Magnum photographer Thomas Dworzak, on war assignment for the New Yorker, discovered their photographs days after they had fled the city. They hung among portraits of Bruce Lee, Leonardo DiCaprio and Ahmed Shah Massoud, their faces retouched by the artful brushwork of the photographer. As exotic backdrops the subjects have chosen chalets in the Swiss Alps, where the mountains are green and Julie Andrews sings, rather than the forbidding grey and brown of their own country. Some are alone, others with a friend or a Kalashnikov, with garish colours stroked into the theme, along with flowers. They were the killers who have fled, leaving behind an absurd record of their presence. Thomas Dworzak was born in 1972 in Kötzting and grew up in the small town of Cham in Bavaria. After and while finishing high school he started to travel and photograph in Eastern Europe and the Middle East. After living in Avila, Prague and Moscow, studying Spanish, Czech and Russian, he photographed the war in former Yugoslavia. He moved to Tbilisi, Georgia, in 1993 to begin work on a long-term project on the Caucasus and its people, covering the conflicts in Chechnya, Karabakh and Abkhazia. He continues with this project today. Based in Paris from 1999 he covered the Kosovo crisis for US News and World Report and returned to Chechnya the same year. After the fall of Grozny in early 2000 he embarked a project on the impact of the war in Chechnya on the neighboring North Caucasus, covering in between the events in Israel, the war in Macedonia, and the refugee crisis in Pakistan. Post 9/11 he has spent several months in Afghanistan for The New Yorker and returned to Chechnya in 2002. Since the fall of 2002 he has covered the crises in Iraq, Iran and Haiti, and the US elections. From 1995 to 1999 he was distributed by Wostok Press. In 2002 he became a Magnum nominee, in 2004 a member. He is based in Paris and New York and contributes to The New Yorker, Newsweek, USNews, Paris Match, The New York Times Magazine and Time Magazine.
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  • 6
    Journal/Serial
    Journal/Serial
    Language: English
    Keywords: Fotografie
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  • 7
    Language: English
    Pages: Seiten 459 - 480
    Year of publication: 1983
    Series Statement: Catalogue / Janet Lehr Inc. 6, 1
    Series Statement: Catalogue / Janet Lehr Inc.
    Keywords: Fotografie ; Fotograf ; Sozialdokumentarische Fotografie ; Stetl ; Porträtfotografie
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  • 8
    Language: English
    Pages: 36 Seiten , Illustrationen
    Year of publication: 1981
    Keywords: Fotografie ; Sozialdokumentarische Fotografie ; Fotograf ; Ausstellung
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  • 9
    Book
    Book
    New York : Harry N. Abrams Inc., Publishers
    ISBN: 9780810955462 , 0810955466
    Language: English
    Pages: 223 Seiten , Fotografien
    Year of publication: 2005
    Keywords: Fotografie ; Fotografin
    Abstract: Celebrated in the 1930s as "Queen of the Leica," the German-born photographer Ilse Bing pioneered the use of the new 35mm camera in Paris. Along with Brassai, Man Ray, Henri Cartier-Bresson, Dora Maar, and Florence Henri, to name but a few, Bing played a key role in making Paris the capital of avant-garde photography. Born in Frankfurt, Bing began her career in 1929 as a photojournalist. Her debut coincided with the rise of the German illustrated press, but she soon moved to Paris. During the following decade, she was a leading member of the thriving photographic milieu, exhibiting at established museums as well as avant-garde art galleries. She was regularly featured in prestigious publications such as "Arts et metiers graphiques", "L'Art vivant", and "Harper's Bazaar". Bing trained her camera on people, architecture, fashion, and landscapes alike, and developed a personal style that combined the abstraction of Bauhaus, the dreaminess of Surrealism, and the geometry of the New Vision. She was forced into exile by the war, and moved to New York, where she put down her camera for good in 1959. Her work was rediscovered in the 1970s, when it was again featured in landmark exhibitions. She died in 1998 when she was nearly ninety-nine years old. Her 1931 "Self-Portrait with Leica" is now an icon of modern photography.
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  • 10
    Article
    Article
    Show associated volumes/articles
    In:  Jewish artists and central-eastern Europe, art centers, identity, heritage from the 19th century to the Second World War : [the first congress of Jewish art in Poland] (2010), Seite [363] - 370
    Language: English
    Pages: Fotografien
    Year of publication: 2010
    Titel der Quelle: Jewish artists and central-eastern Europe, art centers, identity, heritage from the 19th century to the Second World War : [the first congress of Jewish art in Poland]
    Publ. der Quelle: 2010
    Angaben zur Quelle: (2010), Seite [363] - 370
    Keywords: Chassidismus ; Fotografie
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