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  • RAMBI - רמב''י  (4)
  • Holocaust, Jewish (1939-1945) Influence
  • Malerei
  • תקופת האבן
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  • 1
    Language: German
    Year of publication: 2018
    Titel der Quelle: Jahrbuch des Simon-Dubnow-Instituts
    Angaben zur Quelle: 17 (2018) 237-270
    Keywords: Heym, Stefan, Friends and associates ; Heym, Stefan, Political and social views ; Havemann, Robert Political and social views ; Biermann, Wolf, Political and social views ; Jewish authors ; Holocaust, Jewish (1939-1945) Influence ; Germany (East) Politics and government
    Abstract: Stefan Heym, whose life spanned all five political systems in Germany through the twentieth century, was regarded in both the Federal Republic and the German Democratic Republic as one of the most versatile and widely read authors of the postwar period. He was also understood as a moral and political symbol of the opposition in the GDR – as well as its most influential voice following the expatriation of Wolf Biermann in 1976. This article examines Heym’s by no means straightforward development, focusing on his friendships with Robert Havemann and Wolf Biermann. On the basis of autobiographical texts authored by the three former friends as well as the state security files on Heym, it reveals the various attitudes adopted towards the GDR as well as the state’s reactions. In its 11th Assembly, which took place in 1965, the Central Commission of the SED marked Havemann, Heym, and Biermann as the greatest interior public enemies of the GDR, whereupon Heym distanced himself from his friends. It is in this context that the three protagonists’ references to Nazi persecution and the Shoah will here be evaluated for the first time, with particular regard to potential parallels and intersections. By looking especially at the private sphere, beyond community and government politics, the article elucidates important aspects of a secular Jewish self-understanding in the GDR.
    Note: With an English abstract.
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  • 2
    Article
    Article
    In:  Sephardic Horizons 14,1 (2024)
    Language: English
    Year of publication: 2024
    Titel der Quelle: Sephardic Horizons
    Angaben zur Quelle: 14,1 (2024)
    Keywords: Sephardim Identity ; Antisemitism ; Holocaust, Jewish (1939-1945) Influence ; Jews, Turkish
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  • 3
    Language: English
    Year of publication: 2022
    Titel der Quelle: American Jewish Year Book
    Angaben zur Quelle: 121 (2022) 79-126
    Keywords: Holocaust, Jewish (1939-1945) Influence ; Holocaust, Jewish (1939-1945) Commemoration
    Abstract: At this moment as the youngest of the survivors are now in their eighties and nineties, when the Holocaust is making the transition between living memory and historical memory, this chapter examines decade by decade the paradox that the further the Holocaust recedes into history the larger the event looms.It grapples with the public understanding of the Holocaust in literature, television, and film, in trials and scholarship, in Museums and public events as well as political life. It also considers what it is about the events we now call the Holocaust that gives it a distinct place in contemporary consciousness among Jews and the non-Jewish world.It also explores the prominent role that remembrancer of the Holocaust has played in the identity of American Jews with a distinct emphasis in the post 1967 war period and the constancy of such a role in Jewish identity as distinct from the fluctuating role that Israel has played in Jewish identity. Furthermore, it examines Holocaust denial, falsification, minimalization, trivialization, and politicization. Issues such as restitution and reparations are considered. It also examines Holocaust envy as the Holocaust has become a negative absolute in American society, an anchor for the understanding of this paradigmatic twentieth century evil. It concludes that the issue is no longer whether the Holocaust will be remembered but how it will be recalled and transmitted to future generations.
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  • 4
    Language: English
    Year of publication: 2023
    Titel der Quelle: Holocaust and Genocide Studies
    Angaben zur Quelle: 37,2 (2023) 273-293
    Keywords: Simon-Pietkiewicz, Jadwiga ; Ravensbrück (Concentration camp) In art ; Nazi concentration camp inmates as artists ; Nazi concentration camps in art ; Holocaust, Jewish (1939-1945), in art ; Jewish women in the Holocaust ; Exhibitions ; Holocaust, Jewish (1939-1945) Influence
    Abstract: In the Holocaust’s immediate aftermath (1945–1946), a small gallery in Lund, Sweden exhibited the paintings and drawings of Polish artist Jadwiga Simon-Pietkiewicz, which depicted her former fellow inmates in the Ravensbrück concentration camp. This exhibit and subsequent exhibitions elsewhere in Sweden marked rare instances of early postwar Holocaust art displayed in a country that had been relatively unaffected by the Holocaust. By analyzing the response of the Swedish public and press to the artwork in these exhibits, as well as Swedish and international responses to “atrocity photos” of the liberation, the author broadens our understanding of Holocaust art, early testimonies, and agency and resistance during and after the Holocaust.
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