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  • Jewish Museum Berlin  (75)
  • English  (75)
  • 2020-2024  (75)
  • 1920 - 1924
  • 2023  (75)
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  • 2020-2024  (75)
  • 1920 - 1924
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  • 1
    Book
    Book
    Bloomington, Indiana : Indiana University Press
    ISBN: 9780253065001 , 9780253064998
    Language: English
    Pages: 257 Seiten , 23 cm
    Year of publication: 2023
    Series Statement: New Jewish philosophy and thought
    Series Statement: New Jewish philosophy and thought
    Keywords: Sexualethik ; Judentum
    Abstract: Rebecca Epstein-Levi offers a fresh and vital exploration of sexual ethics and virtue ethics in conversation with rabbinic texts and feminist and queer theory. Epstein-Levi explores how sex is not a special or particular form of social interaction but one that is entangled with all other forms of social interaction. The activities of sex - doing it, talking about it, thinking about it, regulating it - are sites of ongoing moral formation on individual, interpersonal, and communal levels. When We Collide explores the development of Jewish sexual ethics, and represents an opportunity to move beyond the usual heteronormative accounts that are presented as though they were neutral representations of what "Judaism teaches about sex." Part I: Groundings 1. Textual intercourse: grounding sexual ethics in Jewish sources 2. Social intercourse: why sex Is enmeshed in sociality 3. Risky business: why risk is inherent in sociality Part II: Case studies on community and risk 4. STIs: Infection, impurity, and managing social contagion 5. BDSM: Risk, pleasure, and polymorphous community
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  • 2
    Article
    Article
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    In:  Naharaim : Zeitschrift für deutsch-jüdische Literatur und Kulturgeschichte 17 (2023), Heft 2, Seite [105]-257, Seite 133 - 158
    Language: English
    Year of publication: 2023
    Titel der Quelle: Naharaim : Zeitschrift für deutsch-jüdische Literatur und Kulturgeschichte
    Publ. der Quelle: Berlin
    Angaben zur Quelle: 17 (2023), Heft 2, Seite [105]-257, Seite 133 - 158
    Keywords: Strauss, Leo ; Stein, Edith
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  • 3
    Language: English
    Pages: 68 Seiten , Illustrationen
    Year of publication: 2023
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  • 4
    ISBN: 9789462624986
    Language: English
    Pages: 216 Seiten , Illustrationen
    Year of publication: 2023
    Keywords: Kunstraub ; Niederlande
    Abstract: "Looted Art & Restitution" relates the history of the trade, looting and restitution of works of art from the Netherlands before, during and after World War II. Due to the German collection rage, countless artworks ended up in German hands during the occupation. The allies recovered a large number of works of art to the Netherlands after the war. It was the Dutch government’s task to return looted or forcibly sold works to their original owners. The mostly Jewish claimants, however, often encountered bureaucratic and unwilling authorities. Meanwhile, most of the artworks were distributed over museums and depots or auctioned off. It was not until the late 1990s that, in accordance with international developments, the restitution policy became much more humane and a search for the rightful owners was implemented.
    Note: Bibliografie: Seite 210 - 214 , Der Band ist eine Erweiterung des Ausstellungskatalogs "Roof & Restitutie" aus dem Jahr 2017, der anlässlich der Ausstellung"Roofkunst voor, tijdens en na de Tweede Wereldoorlog" erstellt wurde. Die Ausstellung fand in der Bergkerk in Deventer zwischen dem 12.05.2017 und dem 27.08.2017 statt. In dem aktualisierten Band "Looted art & restitution" aus dem Jahr 2023 behandeln die Autoren zudem die Entwicklungen seit dem Jahr 2017. , Ter Borch Stichting , Ausstellungskatalog , 12.05.2017-27.08.2017 , Deventer
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  • 5
    ISBN: 9783753304137 , 3753304131
    Language: English
    Pages: 336 Seiten , Illustrationen , 28 cm x 23.5 cm
    Year of publication: 2023
    Abstract: Max Oppenheimer war Expressionist der ersten Stunde. Geboren 1885 in Wien, studierte er zunächst an der Wiener Akademie der bildenden Künste und später an der Kunstakademie in Prag. Er nahm an den legendären Ausstellungen Kunstschau Wien 1908 und Internationale Kunstschau Wien 1909 teil, wo er Bekanntschaft mit zahlreichen progressiven Künstlern jener Zeit wie Oskar Kokoschka (1886–1980), Egon Schiele (1890–1918) oder etwa Albert Paris Gütersloh (1887–1973) machte. Der um fünf Jahre jüngere Egon Schiele suchte 1909 aktiv den Kontakt zu Oppenheimer. Deren freundschaftliche Verbindung überdauerte Jahre und manifestierte sich etwa im gemeinsamen Arbeiten in Schieles Atelier (Winter 1910/11) oder in der gegenseitigen Wertschätzung ihrer künstlerischen Arbeiten. Aus einer anfänglichen Freundschaft mit Kokoschka entwickelte sich aufgrund von Rivalitäten der beiden Protagonisten der österreichischen Avantgarde eine regelrechte Feindschaft. Durch den Einmarsch der deutschen Truppen in Österreich im Jahr 1938 war der Künstler gezwungen zu fliehen und emigrierte über die Schweiz in die USA, wo er 1954 starb. Mit dieser längst überfälligen, großangelegten Schau intendiert das Leopold Museum, das zu Unrecht weitgehend vergessene und gleichermaßen bedeutende wie bahnbrechende Œuvre Max Oppenheimers neu zu beleuchten und dessen umfassenden Motivschatz zu erschließen. Darüber hinaus wird die Rolle des Künstlers und seiner Netzwerke anhand der Zeitgenossen Oskar Kokoschka und Egon Schiele thematisiert.
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  • 6
    Language: English
    Pages: 2 Fotografien
    Year of publication: 2023
    Titel der Quelle: LBI news
    Publ. der Quelle: New York
    Angaben zur Quelle: (2023), Heft 116, Seite 8 - 9
    Keywords: Foerg, Irmgard ; Kreutzberger, Max
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  • 7
    Book
    Book
    London ; New York ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic
    ISBN: 9781350357464
    Language: English
    Pages: ix, 241 Seiten , Illustrationen, Portraits , 24 cm
    Edition: Paperback edition
    Year of publication: 2023
    Keywords: Kovner, Abba ; Brand, Hansi ; Weissmandel, Michael Dov ; Pankiewicz, Tadeusz ; Smôlar, Hersh ; Garfunkel, Leib ; Kook, Hillel ; McClelland, Roswell ; Pehle, John ; Reams, Robert ; Bâûer, Yehûdah ; Rubenstein, Richard ; Arnon, Ya'akov ; Feingold, Henry L. ; Zygielboim, Shmuel ; Lanzmann, Claude ; Shoah (Film) ; Widerstand ; Rettung
    Abstract: As we approach the end of the 'era of the witness', given the passing on of the generation of Holocaust survivors, Claude Lanzmann's archive of 220 hours of footage excluded from his ground-breaking documentary Shoah (1985) offers a remarkable opportunity to encounter previously unseen interviews with survivors and other witnesses, recorded in the late 1970s. Although the archive is all available freely to view online and includes extra footage of those who appear in Shoah, this book focuses on the interviews from which no extracts appear in the finished film or in any subsequent release. The material analysed features interviews with such significant figures as the former partisan Abba Kovner, wartime activist Hansi Brand, Kovno Ghetto leader Leib Garfunkel, rescuer Tadeusz Pankiewicz and members of Roosevelt's War Refugee Board, and focuses throughout on the efforts at rescue and resistance by those within and outside occupied Europe. Sue Vice contends that watching and analysing this wholly excluded footage gives us new insights into the making of Shoah through what was left out. Moreover, she reveals that the near-impossibility of rescue and often suicidal implications of resistance emerge through these excluded interviews as inextricable from the process of genocide. She concludes by arguing that the outtakes show the potential for new filmic forms envisaged on Lanzmann's part in order to represent the crucial topics of attempted Holocaust rescue and resistance. Table of Contents Introduction: Reacting to Genocide 1. Abba Kovner: 'Like Sheep to the Slaughter' 2. Hansi Brand: 'Selling One's Soul' 3. Indirect Testimony: Rabbi Michael Weissmandl 4. Ghetto Rescue and Resistance: Tadeusz Pankiewicz, Hersh Smolar and Leib Garfunkel 5. Communal Testimony and the War Refugee Board: Peter Bergson, Roswell McClelland, John Pehle and Robert Reams 6. Leadership, Responsibility and Resistance: Yehuda Bauer, Richard Rubenstein, Ya'akov Arnon 7. Allied Responses: Henry Feingold in New York, Shmuel Zygielboim in London Conclusion Bibliography Index
    Note: Erscheint auch als Druck-Ausgabe 978-1-350-18707-8 (ISBN) , Erscheint auch als Online-Ausgabe 978-1-3501-8708-5 (ISBN) , Erscheint auch als Online-Ausgabe 978-1-3501-8709-2 (ISBN)
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  • 8
    Article
    Article
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    In:  Naharaim : Zeitschrift für deutsch-jüdische Literatur und Kulturgeschichte 16 (2023), Heft 2, Seite [175]-298, Seite [203] - 227
    Language: English
    Pages: 9 Fotografien
    Year of publication: 2023
    Titel der Quelle: Naharaim : Zeitschrift für deutsch-jüdische Literatur und Kulturgeschichte
    Publ. der Quelle: Berlin
    Angaben zur Quelle: 16 (2023), Heft 2, Seite [175]-298, Seite [203] - 227
    Keywords: Jüdische Jugendbewegung
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  • 9
    ISBN: 9780300273564 , 0300273568
    Language: English
    Pages: 215 Seiten , Illustrationen , 27 cm
    Year of publication: 2023
    Keywords: Albers, Anni ; Guermonprez, Trude ; Weben ; Kunstschule ; Textilkünstlerin ; Ausstellung
    Abstract: In the mid-twentieth century, Black Mountain College attracted a remarkable roster of artists, architects, and musicians. Yet the weaving classes taught by Anni Albers, Trude Guermonprez, and six other faculty members are rarely mentioned or are often treated as mere craft lessons. This was far from the case: the weaving program was the school’s most sophisticated and successful design program. About ten percent of all Black Mountain College students took at least one class in weaving, including specialists like textile designers Lore Kadden Lindenfeld and Else Regensteiner, as well as students from other disciplines, like artists Ray Johnson and Robert Rauschenberg and architects Don Page and Claude Stoller. Drawing upon a wealth of unpublished material and archival photographs, Weaving at Black Mountain College rewrites history to show how weaving played a much larger role in the legendary art and design curriculum than previously assumed. The book illustrates dozens of objects from private and public collections, many of which have never been shown in this context. Essays explore connections and networks fostered by Black Mountain weavers; the ways in which weaving at the college was linked to larger discourses about weaving and craft; and Bauhaus influences transmitted by way of Anni Albers. The book also includes works by five contemporary artists that connect and respond to the legacy of weaving at Black Mountain College today
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  • 10
    Language: English
    Pages: cxii, 1279 Seiten , Illustrationen
    Edition: 1. Auflage
    Year of publication: 2023
    Abstract: The Posen Library of Jewish Culture and Civilization, Volume 5, covering the early modern period (1500–1750), presents a variety of Jewish texts to demonstrate the diversity of Jewish culture and life. These texts originate from Eastern and Western Europe, the Americas, the Ottoman Empire, North Africa, Kurdistan, Persia, Yemen, India—in short, a worldwide diaspora. They embrace historical writing and religious scholarship, liturgical expression and economic records, ethics and personal devotion, correspondence and communal regulations, art and music, architecture and poetry. The simultaneous centrifugal and centripetal character of Jewish communities during this era illustrates the distinctiveness of the early modern period in Jewish history and informs developments in world history at large. Including texts written by women, a robust collection of images, and extensive material not previously accessible to English-language readers, this volume is rich, deep, and enlightening.
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