ISBN:
0816656436
,
9780816656431
Language:
English
Pages:
Online-Ressource (240 S.)
,
Ill.
Edition:
Online-Ausg.
Year of publication:
2008
Series Statement:
Visible evidence v. 22
Series Statement:
Visible evidence
Parallel Title:
Erscheint auch als Lebow, Alisa First person Jewish
Keywords:
Autobiography
;
Identity (Psychology) in motion pictures
;
Stereotypes (Social psychology) in motion pictures
;
Documentary films History and criticism
;
Jewish motion picture producers and directors
;
Jews in motion pictures
;
Juifs au cinéma
;
Producteurs et réalisateurs de cinéma juifs
;
Autobiographie
;
Identité (Psychologie) au cinéma
;
Stéréotypes au cinéma
;
Documentaires - Histoire et critique
;
autobiography (genre)
;
PERFORMING ARTS - Film & Video - Reference
;
PERFORMING ARTS - Film & Video - History & Criticism
;
Autobiography
;
Documentary films
;
Identity (Psychology) in motion pictures
;
Jewish motion picture producers and directors
;
Jews in motion pictures
;
Stereotypes (Social psychology) in motion pictures
;
Criticism, interpretation, etc
Abstract:
Alisa S. Lebow examines films from Jewish artists to reveal how the postmodern impulse to turn the lens inward intersects provocatively (and at times unwittingly) with historical tropes and stereotypes of the Jew. Using a multidisciplinary approach Lebow shows how this form of self-expression is challenging both autobiography and documentary and, in the process, changing the art of cinema and recording the cultural shifts of our time
Description / Table of Contents:
Memory once removed: indirect memory and transitive autobiography in Chantal Akerman's D'EstReframing the Jewish family -- A treyf autocritique of autobiography -- Ambivalence and ambiguity in queer Jewish subjectivity -- Conclusion: a limit case for Jewish autoethnography.
Note:
Includes bibliographical references (p. 183-193) and index -- "Selected filmography of Jewish diasporic first person documentaries": p. 195-197
,
English
URL:
Volltext
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