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Last 7 Days Catalog Additions

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  • English  (69)
  • New York : Schocken Books  (39)
  • Tefen  (30)
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  • 1
    ISBN: 0805241922
    Language: English
    Pages: xi, 175 S , 21 cm
    Year of publication: 2001
    DDC: 813/.54
    Keywords: Wiesel, Elie Interviews ; Authors, French Interviews 20th century ; Authors, American Interviews 20th century ; Interview ; Wiesel, Elie 1928-2016
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  • 2
    Journal/Serial
    Journal/Serial
    New York : Schocken Books
    Language: English
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  • 3
    Language: English
    Pages: 376 Seiten
    Edition: 3
    Year of publication: 1974
    Abstract: Gershom Scholem was the master builder of historical studies of the Kabbalah. When he began to work on this neglected field, the few who studied these texts were either amateurs who were looking for occult wisdom, or old-style Kabbalists who were seeking guidance on their spiritual journeys. His work broke with the outlook of the scholars of the previous century in Judaica-die Wissenschaft des Judentums, the Science of Judaism-whose orientation he rejected, calling their "disregard for the most vital aspects of the Jewish people as a collective entity: a form of "censorship of the Jewish past." The major founders of modern Jewish historical studies in the nineteenth century, Leopold Zunz and Abraham Geiger, had ignored the Kabbalah; it did not fit into their account of the Jewish religion as rational and worthy of respect by "enlightened" minds. The only exception was the historian Heinrich Graetz. He had paid substantial attention to its texts and to their most explosive exponent, the false Messiah Sabbatai Zevi, but Graetz had depicted the Kabbalah and all that flowed from it as an unworthy revolt from the underground of Jewish life against its reasonable, law-abiding, and learned mainstream. Scholem conducted a continuing polemic with Zunz, Geiger, and Graetz by bringing into view a Jewish past more varied, more vital, and more interesting than any idealized portrait could reveal. from the Foreword by Arthur Hertzberg, 1995 Toward an Understanding of the Messianic Idea in Judaism The Messianic Idea in Kabbalism The Crisis of Tradition in Jewish Messianism Redemption through Sin The Crypto-Jewish Sect of the Dönmeh (Sabbatians) in Turkey A Sabbatian Will from New York The Neutralization of the Messianic Element in Early Hasidism Devekut, Or Communion with God Martin Buber's Interpretation of Hasidism The Tradition of the Thirty-Six Hidden Just Men The Star of David: History of a Symbol Revelation and Tradition as Religious Categories in Judaism The Science of Judaism-Then and Now At the Completion of Buber's Translation of the Bible On the 1930 Edition of Rosenzweig's Star of Redemption The Politics of Mysticism: Isaac Breuer's New Kuzari The Golem of Prague and the Golem of Rehovot Notes Sources and Acknowledgments Index
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  • 4
    Journal/Serial
    Journal/Serial
    New York : Schocken Books
    Language: English
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  • 5
    Language: English
    Pages: 200, 104 Seiten , Illustrationen
    Year of publication: 2017
    Keywords: Künstler ; Ausstellung
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  • 6
    Book
    Book
    New York : Schocken Books
    Language: English
    Pages: 125 Seiten , 20 cm
    Edition: 1st paperback edition, 2nd printing
    Year of publication: 1949
    Series Statement: The Schocken library 19
    Series Statement: Schocken paperbacks
    Keywords: Zohar
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  • 7
    Language: English
    Pages: 132 Seiten, [2] Blatt, 80 Seiten , Illustrationen
    Year of publication: 2018
    Keywords: Installation ; Künstlerin ; Ausstellung
    Abstract: Regardless of her chosen media – wood, metal or fabric – Dina Recanati’s art remains steadily dedicated to the abstract. The great advantage of abstract art is the freedom it gives creators, and the room for interpretation it allows for viewers. Dina Recanati works within this boundless freedom and invites viewers to enter a world that combines colors and forms, dream and reality. Glimpses of Dina Recanati’s memories, which feed into her works, appear in both early and recent works. The memories, in shapes and colors, are tucked into the fabric folds, hidden behind arches and gates, and sketched in the pages of wordless books. The works’ colors – light desert tones, sky blues, and more recently, white – are the colors of memories. Some are very clear, others have blurred over time. The female figures in Passage (2000) are covered from head to toe, reminiscent of the “unidentifiable” women who populated the streets of Cairo in the 1940s, and who have in recent years returned to the streets of many cities worldwide. These figures’ colors and material makeup joins the artist’s earlier large abstract paintings, Untitled (1992). As if a landscape seen from the window of a fast train, memory acquires blurred colors and a checkered interpretation in the abstract paintings, which stress the free use of color in a way that leaves much room for coincidence. Although the appearance is based on concrete sights it is blurred, leaving behind more a sense of the colors than visual images. The fluidity of the colors and the amorphic stains emphasize the free movement of the colors on the canvas. Lacking perspective and center, the color stains all have the same value as they merge with each other. The form becomes secondary in these large colorful paintings that seem limited only by the size of the canvas. The Open Museum Tefen is honored to host the exhibition and its accompanying book, which together enfold 60 years of Dina Recanati’s creation. Ruthi Ofek
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  • 8
    Book
    Book
    New York : Schocken Books
    Language: English
    Pages: 268 Seiten , Illustrationen , 24 cm
    Year of publication: 1946
    Keywords: Provenienz: Blumenthal, W. Michael Einlage
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  • 9
    Book
    Book
    New York : Schocken Books
    ISBN: 9780805242539
    Language: English
    Pages: [4] Blatt, 306 Seiten
    Edition: 1. edition
    Year of publication: 2013
    Keywords: Abrahams Opfer
    Abstract: "I didn't think he'd do it. I really didn't think he would. I thought he'd say, whoa, hold on, wait a minute. We made a deal, remember, the land, the blessing, the nation, the descendants as numerous as the sands on the shore and the stars in the sky." So begins James Goodman's original and urgent encounter with one of the most compelling and resonant stories ever told, God's command to Abraham to sacrifice his son Isaac. A mere nineteen lines in the book of Genesis, it rests at the heart of the history, literature, theology, and sacred rituals of Judaism, Christianity, and Islam. For more than two millennia, people throughout the world have grappled with the troubling questions about sacrifice, authority, obedience, and faith to which the story gives rise. Writing from the vantage of ̮a reader, a son, a Jew, a father, a skeptic, a historian, a lover of stories, and a writer,Ł Goodman gives us an enthralling narrative history that moves from its biblical origins to its place in the cultures and faiths of our time. He introduces us to the commentary of Second Temple sages, rabbis and priests of the late antiquity, and early Islamic exegetes (some of whom imagined that Ishmael was the nearly sacrificed son). He examines Syriac hymns (in which Sarah stars), Hebrew chronicles of the First Crusade (in which Isaac often dies), and medieval English mystery plays. He looks at the art of Europe's golden age, the philosophy of Kant and Kierkegaard, and the panoply of twentieth-century interpretation, sacred and profane, including the work of Bob Dylan, Elie Wiesel, and A. B. Yehoshua. In illuminating how so many others have understood this story, Goodman tells a gripping and provocative story of his own.
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  • 10
    Book
    Book
    New York : Schocken Books
    Language: English
    Pages: XIV Seiten, [39] Blatt , Illustrationen
    Edition: 1. edition
    Year of publication: 1985
    Keywords: Israel ; Dokumentarfotografie ; Jemenitische Juden
    Abstract: "Ozeri has captured images of Yemenite life in Israel today. Scenes from the lives of Yemenite jewelers, blacksmiths and farmers, the celebration of Jewish holidays and weddings are depicted, along with portraits of Yemenite heders, Torah scribes, kabbalists and healers. We also see the contrast between the old and young and their ways of life: the old-pious, scholarly and religious; the young-restless, urbane and acculturated."
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