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Last 7 Days Catalog Additions

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  • English  (333)
  • Italian  (4)
  • Serbian  (1)
  • Schoa  (338)
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  • 1
    Book
    Book
    New York, NY : Fordham University Press
    ISBN: 9780823245406
    Language: English
    Pages: XII, 280 Seiten , Illustrationen
    Year of publication: 2013
    Keywords: Celan, Paul ; Bäcker, Heimrad ; Lanzmann, Claude ; Spiegelman, Art ; Ästhetik ; Denkmal ; Schoa
    Abstract: Holocaust artworks intuitively must fulfil at least two criteria: artistic (lest they be merely historical documents) and historical (lest they distort the Holocaust or become merely artworks). The Sense of Semblance locates this problematic within philosophical aesthetics, as a version of the conflict between aesthetic autonomy and heteronomy, and argues that Adorno's dialectic of aesthetic semblance describes the normative demand that artworks maintain a dynamic tension between the two. The Sense of Semblance aims to move beyond familiar debates surrounding postmodernism by demonstrating the usefulness of contemporary theories of meaning and understanding, including those from the analytic tradition. Pickford shows how the causal theory of names, the philosophy of tacit knowledge, the analytic philosophy of quotation, Sartre's theory of the imaginary, the epistemology of testimony, and Walter Benjamin's dialectical image can help explicate how individual artworks fulfil artistic and historical desiderata. In close readings of Celan's poetry, Holocaust memorials in Berlin, the quotational artist Heimrad Bäcker, Claude Lanzmann's film Shoah, and Art Spiegelman's graphic novel Maus, Pickford offers interpretations that, in their precision, specificity, and clarity, inaugurate a dialogue between contemporary analytic philosophy and contemporary art. The Sense of Semblance is the first book to incorporate contemporary analytic philosophy in interpretations of art and architecture, literature, and film about the Holocaust.
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  • 2
    Language: English
    Pages: Seite 505 - 536
    Keywords: United States Holocaust Memorial Museum ; Thora ; Gedenken ; Kultgerät ; Schoa
    Note: Kopie aus: Numen, 57, 2010, Brill NV, Leiden
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  • 3
    Book
    Book
    New York : Henry Holt and Company
    ISBN: 0805003487
    Language: English
    Pages: 959 Seiten , Illustrationen
    Year of publication: 1985
    Keywords: Schoa
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  • 4
    Book
    Book
    München : Carl Hanser Verlag
    ISBN: 3446191348
    Language: Serbian
    Pages: 341 Seiten
    Year of publication: 1997
    Keywords: Jugoslawien ; Kapo ; Belletristische Darstellung ; Schoa
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  • 5
    AV-Medium
    AV-Medium
    Lumen Film
    Language: English
    Pages: 60 Minuten
    Year of publication: 1997
    Keywords: Dokumentarfilm ; Schoa ; Niederlande
    Abstract: One of Péter Forgács' most spectacular films. The majority of the film consists of home movies by Dutch Jews who perished in Auschwitz-Birkenau. The happy moments recorded in the 1930s and 40s - before their world was annihilated. As a counterpoint to this Jewish story, the director presents the color family films of the Ger-man Reichskommissar for Holland. A similar mood pervades these happy scenes of family life, the oppressors seem no different than their victims, which produces a highly alarming effect for the viewer.
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  • 6
    Book
    Book
    Youngstown, Ohio : University
    Language: English
    Pages: Seiten 53 - 75 , Ill.
    Year of publication: 2008
    Keywords: Konzentrationslager ; Kunst ; Schoa
    Note: Kopie aus: Journal of Jewish identities, 1, 2, 2008
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  • 7
    Language: English
    Pages: 79 Minuten
    Additional Material: Beiheft
    Year of publication: 2013
    Keywords: Hörbuch ; Quelle ; Schoa
    Note: Recorded in the Purcell Room, London, 18 July 1988
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  • 8
    Book
    Book
    London [u.a.] : The Continuum Publishing Company, Inc.
    ISBN: 9780826494986
    Language: English
    Pages: X, 229 Seiten , Ill.
    Year of publication: 2009
    Keywords: Judentum ; Bilderverbot ; Jüdische Kunst ; Schoa
    Abstract: The widespread assumption that Jewish religious tradition is mediated through words, not pictures, has left Jewish art with no significant role to play in Jewish theology and ethics. "Judaism and the Visual Image" argues for a Jewish theology of image that, among other things, helps us re-read the creation story in Genesis 1 and to question why images of Jewish women as religious subjects appear to be doubly suppressed by the Second Commandment, when images of observant male Jews have become legitimate, even iconic, representations of Jewish holiness. Raphael further suggests that 'devout beholding' of images of the Holocaust is a corrective to post-Holocaust theologies of divine absence from suffering that are infused by a sub-theological aesthetic of the sublime. Raphael concludes by proposing that the relationship between God and Israel composes itself into a unitary dance or moving image by which each generation participates in a processive revelation that is itself the ultimate work of Jewish art.
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  • 9
    Article
    Article
    Show associated volumes/articles
    In:  Ars Judaica : the Bar-Ilan journal of Jewish art 11 (2015), Seite 55 - 78
    Language: English
    Pages: Illustrationen
    Year of publication: 2015
    Titel der Quelle: Ars Judaica : the Bar-Ilan journal of Jewish art
    Publ. der Quelle: Ramat-Gan
    Angaben zur Quelle: 11 (2015), Seite 55 - 78
    Keywords: Symbol ; Junge ; Warschauer Ghetto ; Schoa
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  • 10
    ISBN: 9780190259327
    Language: English
    Pages: XIV, 320 Seiten , Illustrationen
    Year of publication: 2015
    Series Statement: The Oxford Series on History and Archives
    Series Statement: The Oxford Series on History and Archives
    Keywords: Nachkriegszeit ; Geschichtsschreibung ; Überlebender ; Kollektives Gedächtnis ; Schoa
    Abstract: This book describes the vibrant activity of survivors who founded Jewish historical commissions and documentation centers in Europe immediately after the Second World War. In the first postwar decade, these initiatives collected thousands of Nazi documents along with testimonies, memoirs, diaries, songs, poems, and artifacts of Jewish victims. They pioneered in developing a Holocaust historiography that placed the experiences of Jews at the center and used both victim and perpetrator sources to describe the social, economic, and cultural aspects of the everyday life and death of European Jews under the Nazi regime. This book is the first in-depth monograph on these survivor historians and the organizations they created. A comparative analysis, it focuses on France, Poland, Germany, Austria, and Italy, analyzing the motivations and rationales that guided survivors in chronicling the destruction they had witnessed, while also discussing their research techniques, archival collections, and historical publications. It reflects growing attention to survivor testimony and to the active roles of survivors in rebuilding their postwar lives. It also discusses the role of documenting, testifying, and history writing in processes of memory formation, rehabilitation, and coping with trauma. Jockusch finds that despite differences in background and wartime experiences between the predominantly amateur historians who created the commissions, the activists found documenting the Holocaust to be a moral imperative after the war, the obligation of the dead to the living, and a means for the survivors to understand and process their recent trauma and loss. Furthermore, historical documentation was vital in the pursuit of postwar justice and was deemed essential in counteracting efforts on the part of the Nazis to erase their wartime crimes. The survivors who created the historical commissions were the first people to study the development of Nazi policy towards the Jews and also to document Jewish responses to persecution, a topic that was largely ignored by later generations of Holocaust scholars. Table of Contents Note on Translations and Transliterations List of Abbreviations Introduction: Early Chroniclers of the Holocaust: Jewish Historical Commissions and Documentation Centers in the Aftermath of the Second World War 1. Khurbn-Forshung: History Writing as a Jewish Response to Catastrophe 2. Writing French Judaism's "Book of Martyrdom": Holocaust Documentation in Liberated France 3. Writing Polish Jewry's "Greatest National Catastrophe": Holocaust Documentation in Communist Poland 4. Writing History on Packed Suitcases: Holocaust Documentation in the Jewish Displaced Persons Camps of Germany, Austria, and Italy Chapter 5: Joining Forces to Comprehend the Jewish Catastrophe: The Attempt to Establish a European Community of Holocaust Researchers Conclusion: History Writing as Reconstruction: The Beginnings of Holocaust Research from the Perspective of Its Victims Appendix: Major Participants in the Jewish Historical Commissions and Documentation Centers Notes Bibliography Index
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