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  • 1
    Artikel
    Artikel
    In:  Aspects of Genres in the Holocaust Literatures in Central Europe (2015) 97-113
    Sprache: Englisch
    Erscheinungsjahr: 2015
    Titel der Quelle: Aspects of Genres in the Holocaust Literatures in Central Europe
    Angaben zur Quelle: (2015) 97-113
    Schlagwort(e): Grosman, Ladislav. ; Obchod na korze (Motion picture) ; Czech fiction History and criticism ; Holocaust survivors' writings History and criticism ; Holocaust, Jewish (1939-1945), in literature ; Motion pictures ; Holocaust, Jewish (1939-1945), in motion pictures
    Kurzfassung: Deals with six versions of Ladislav Grosman’s work. It was first published as a short story called "Past", in 1962 in Slovak; then it appeared in Czech translation in the Prague journal "Plamen" in 1964; it was then reworked twice as a screenplay for the film "Obchod na korze" ("The Shop on Main Street") in 1965, and the screenplay was published that same year in Czech; finally, the screenplay of the film was reworked to speak in Slovak and partly in Slovak-Polish-Yiddish.
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 2
    ISBN: 9783838271965
    Sprache: Englisch
    Seiten: 1 Online-Ressource (180 Seiten)
    Erscheinungsjahr: 2018
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    Schlagwort(e): Holocaust ; Czechoslovak ; Feature Films ; Spielfilm ; Tschecheslowakei ; czech ; Tschechien
    Kurzfassung: Šárka Sladovníková analyzes the depiction of the Holocaust in Czechoslovak and Czech Feature Films and the relevant literary pretexts. While she charts the social and cultural framework in which the films were made and how this framework changed, she also focuses on the cinematic language, the composition of and narration in each film (e.g., the depiction of the war and the Shoah as a narratively closed versus a narratively open event), genre aspects of the films (e.g., the use of comedy and humor), convention and innovation in presenting motifs and characters (the division of gender roles, the character of the “good German”). Particular attention is paid to the portrayal of stereotypes and countertypes in the films, where already well-known images, situations, and backdrops are repeated and which meet viewers’ expectations or, in contrast, which form countertypes and countersituations that go against the grain. Many of the films analyzed are adaptations of literary works. Therefore, this book is also a contribution to the rapidly developing field of adaptation studies.
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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