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  • 1
    Language: English
    Year of publication: 2023
    Titel der Quelle: Journal of Jewish Identities
    Angaben zur Quelle: 16,1-2 (2023) 79-98
    Keywords: Kubrick, Stanley ; Begley, Louis. ; Holocaust, Jewish (1939-1945), in motion pictures ; Jewish motion picture producers and directors ; American fiction Jewish authors ; History and criticism ; Holocaust, Jewish (1939-1945), in literature ; Film adaptations History and criticism
    Abstract: While Stanley Kubrick long sought to make a film about World War II and the Holocaust, he never succeeded. He came very close in his attempt to adapt Louis Begley’s Wartime Lies as Aryan Papers between 1991 and 1993. Combining the latest insights in the emerging field of Kubrick Studies, specifically into Kubrick’s Jewishness, with the newly available archival material deposited in the Stanley Kubrick Archive at the University of Arts London, this article explores the pre-production of Aryan Papers before considering why it was never realized and then tentatively suggesting, in the absence of any shot footage, how it may have looked.
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  • 2
    Article
    Article
    In:  Journal of Jewish Identities 16,1-2 (2023) 181-198
    Language: English
    Year of publication: 2023
    Titel der Quelle: Journal of Jewish Identities
    Angaben zur Quelle: 16,1-2 (2023) 181-198
    Keywords: Gyöngyössy, Imre ; Jób lázadása (Motion picture : 1983) ; Motion picture producers and directors Biography ; Motion pictures ; Hasidim ; Jews in motion pictures ; Holocaust, Jewish (1939-1945), in motion pictures ; Judaism in motion pictures ; Christianity and other religions Judaism ; Judaism Relations ; Christianity
    Abstract: Although the 1983 movie Jób lázadása (The Revolt of Job) garnered an Oscar nomination for best foreign language film, it has fallen into relative obscurity outside of its native Hungary. Reflecting co-director Imre Gyöngyössy’s sympathy for marginalized minorities, gratitude to a Jewish couple who sheltered him during World War II, and Catholic humanism, the movie salvages the memory of the Hasidim in rural Hungary by depicting their customs, referencing biblical stories, and employing imagery from the paintings of Imre Ámos. Sensing they are doomed in Hitler’s Europe, an elderly childless Hasidic couple adopt a Christian boy to assure they will have an heir to remember them and their Jewish heritage. They educate him by celebrating Jewish holidays and endowing mundane activities with spiritual meaning, introducing him to Christianity to protect him from persecution, and modeling cordial relations with their gentile neighbors. Their sudden deportation personifies the decimation of rural Hungarian Jewry and implicates Hungarian fascists and gendarmes in this egregious injustice. As the only feature film to portray how Hasidic Jews lived before the Holocaust, The Revolt of Job merits renewed scholarly attention.
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